Conveying Space captures the atmospheric qualities of architecture and emphasises the interaction between structure and natural light. Holfeld’s photographs help us to rediscover fleeting moments of visual access, manifested in tightly cropped details. Through careful positioning and calculated framing, Holfeld illuminates the subtleties and nuances in architecture, while exploring the profession beyond its commercial appeal.
Choosing to work under cloudless skies and high sun sets the intention for Holfeld’s practice while having a transformative effect on the architecture. Deep shadows and powerful illumination reveal clearly defined lines and crisp geometric shapes, which abstract his surroundings into graphical vistas turning the utilitarian into the iconic. To achieve this, he crops building parts out of context, zooms in on architectural detail or isolates certain building features thereby creating, in the process, strong geometrical compositions that have a life of their own. Steps and lampposts, for example, shed their functional role to become two-dimensional flourishes while elsewhere façade segments lose their scale to become graphical abstractions.
In an intimate and powerful contemplation Holfeld’s images provide access to a new look at the built legacy of University College Dublin; deconstructing the elemental components of architecture, transforming the rebar, concrete and stucco of its buildings to change the way we think about the structures themselves.
All works are available as part of a limited edition series of ten archival pigment prints on Hahnemühle photo rag Baryta 315gsm paper.
Conveying Space forms a component of the Belfield 50 programme led by Professor Orla Feely, Vice-President for Research, Innovation and Impact, and directed by Eilis O’Brien, Director of Communication & Marketing.